Dani Seggewiss is a Monitor Engineer originally from Cologne, Germany, who currently resides in Leeds, in the U.K.
At nine years old Dani went with her mom to see a concert, and upon seeing the monitor and FOH engineers in action, she knew that that was what she wanted to pursue. Not that she had any idea of how to do it or how to start, or even what they were doing, but she knew that whatever it was struck a chord with her, and that she had to follow her instincts.
Gil Craig is an Audio Engineer and a Sound Designer based out of Wellington New Zealand. As a Monitor Engineer she has mixed for the Phoenix Foundation with the New Zealand Symphony, The Pink Floyd Experience, as well as many other Symphony orchestra productions and concerts.
She is also an accomplished record mixer, with several award-winning albums to her credit including: Trouble on the Waterfront, by the Waterfront Collective, and Circus of Fleas, by Fleabite.
It’s an honor to have 3-time Grammy Award winning engineer, producer, mixer, sound designer and front of house engineer Marc Urselli on the show this week!
I caught up with Marc at this years AES convention at the Javit’s Center and we had an incredible chat about his life, work ethic, and of course, his insatiable appetite for all things music-related.
Kim Watson is a freelance sound engineer who’s been focused as a systems tech, monitor engineer, and Front of House engineer since she was in high school. She’s moved quickly up the ranks, earning the respect of her peers.
As the house engineer for Newcastle’s O2 Academy, she works with an incredible selection of artists. Her client list includes The Subways, Blondie, Tom Jones, Shane Filan, UB40, and Emilio Sande.
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