Gil Craig is an Audio Engineer and a Sound Designer based out of Wellington New Zealand. As a Monitor Engineer she has mixed for the Phoenix Foundation with the New Zealand Symphony, The Pink Floyd Experience, as well as many other Symphony orchestra productions and concerts.
She is also an accomplished record mixer, with several award-winning albums to her credit including: Trouble on the Waterfront, by the Waterfront Collective, and Circus of Fleas, by Fleabite.
It’s an honor to have 3-time Grammy Award winning engineer, producer, mixer, sound designer and front of house engineer Marc Urselli on the show this week!
I caught up with Marc at this years AES convention at the Javit’s Center and we had an incredible chat about his life, work ethic, and of course, his insatiable appetite for all things music-related.
Kim Watson is a freelance sound engineer who’s been focused as a systems tech, monitor engineer, and Front of House engineer since she was in high school. She’s moved quickly up the ranks, earning the respect of her peers.
As the house engineer for Newcastle’s O2 Academy, she works with an incredible selection of artists. Her client list includes The Subways, Blondie, Tom Jones, Shane Filan, UB40, and Emilio Sande.
For the last eight years Bruce Reiter has been mixing Front of House for the hard-hitting band, Five Finger Death Punch. With a deep knowledge base of both the analog side and the digital side, Bruce has honed his skills and reputation with such artists as Megadeath, Social Distortion, Static-X, Fear Factory, Limp Bizkit, Rancid, and Powerman 5000.
It’s an honor to be celebrating my 105th episode this week with our guest, Monitor Engineer Bruce Danz.
For the last 25 years Bruce has mixed monitors for some of Rock’s hardest hitting artists including Anthrax, Testament, Alice Cooper, Death Angel, and Buckcherry. He endured a sixteen-year run with Marilyn Manson while simultaneously mixing for Avenge Sevenfold, a gig that has lasted almost eighteen years.
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