Austin Schroeder is a Monitor Engineer based out of San Diego, California, who is currently in rehearsals for the highly anticipated Rage Against the Machine tour.
An Iowa native, Austin started on piano at a young age, setting the groundwork for a deep and lifelong understanding and appreciation of music. His teenage years saw him develop more into a bassist, which he played in several jazz bands before ultimately ending up at Full Sail University, hoping for a degree in music recording.
Hanford Pittman is a Brooklyn-based FOH Engineer and Production Manager currently on tour with Sweden’s very own Tove Lo.
His extensive festival experience includes Outside lands, Coachella, Lollapalooza, and Glasdtonbury with bands such as Siilversun Pickups, Warpiant, Purity Ring, Borns, and now Tove Lo.
Ryan Philip George is a guitar and keyboard tech and one of the founders of thistourlife.com. Ryan is a graduate of Temple University and got his start in the music business in Philadelphia at Centerstaging in 2001, where he became well versed in all aspects of Backline.
A few short years later he accepted his first touring gig as keyboard/computer tech on Beckʼs Guero tour. Since then, he has been touring full-time for such artists as Jack White, Sigur Ros, Arcade Fire, MGMT, Death Cab For Cutie, Macklemore and more.
Chris Selim is a Musician, Producer, Engineer, and educator based just outside Montreal. He is also the founder of one of the web’s best recording resources; Mixdown-Online, where he shares tips, tricks and guides giving you the upper-hand on your recordings. His popular Youtube channel also serves to share his experience and provide the tools you need to make better recordings.
In the late ‘70’s and into the ‘80’s Hollywood and the Sunset Strip played host to the hair bands and spandex superstars that rocked clubs like the Whiskey and the Roxy night after night. But several miles down the coast, a new sound was emerging; raw, impatient, and not satisfied with the Status Quo.
It was in this world that Dave Rat of Rat Sound Systems carved his place as a trusted engineer, with a company that provided the kind of equipment that could match the DIY attitude of the artists and crowds that were showing up to hear bands like Black Flag, Jane’s Addiction, and Rage Against the Machine.
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