Jimmy Pettinato is a veteran Production Manager based in his hometown of Scranton, PA. After several years as both Lighting Designer and Production Manager, Jimmy ultimately made the switch to focus solely on being the best Production Manger he could, and through his career he has worked with the likes of Trans Siberian Orchestra, No Doubt, Spin Doctors, PINK, New Kids On the Block, Backstreet Boys, Goo Goo Dolls, and many, many more.
Hanford Pittman is a Brooklyn-based FOH Engineer and Production Manager currently on tour with Sweden’s very own Tove Lo.
His extensive festival experience includes Outside lands, Coachella, Lollapalooza, and Glasdtonbury with bands such as Siilversun Pickups, Warpiant, Purity Ring, Borns, and now Tove Lo.
Sahir Hanif is a Tour Manager, Production Manager, Industrial designer, creative director, studio drum technician, drummer, and entrepreneur. He is the founder of Masters of Maple Drums, and Ghost Tech: a full service production and logistics company.
Sahir has taken his experience on the road and combined it with his business acumen to create two very unique and diverse companies within the music business.
Grace Royse is a 15-year veteran of the music industry with a concentration in production management and audio engineering.
Her experiences span thousands of festivals, tours and live broadcasted performances worldwide, including the US open, Good Morning America, Ellen, and the Super Bowl.
Grace credits her network of top performing colleagues, along with a strong sense of purpose, for making every successful project possible.
Like so many of my guests, Rich Nesin started his career with a passion for music and a desire to learn everything he could about the industry. But as we know all too well, a successful career also comes down to right place, right time.
After starting out as a bass player in local New York bands, Rich quickly found himself working at S.I.R studios in midtown Manhattan, servicing clients like Todd Rundgren, The Dictators, Jim Carroll, and Blue Oyster Cult. His big break came at the start of Bob Dylan's Rolling Thunder Revue, where Nesin got his first real taste of life as a touring professional, making $250 a week as the tour's backline tech.
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