In all honesty, I didn’t know much about Harvey Citron before our interview. I had met him at a few random events in Woodstock, NY, but we never had an opportunity to get to know each other. And, I knew nothing about his guitars or basses. As I prepped to sit down with him, I quickly picked-up on the care, precision, and thought that he brings to each instrument and to each new design endeavor that he approaches.
"Record with John Lennon." That was Alex's response when I asked him what the future holds for him. Thing is, if he had the chance, he would probably be the kind of producer Lennon would want. I've seen Alex in action in his studio Starr Ridge, in Brewster, NY., and he never stopped moving during the entire session. It was inspiring to say the least.
I first met Cindy Cashdollar when I was shooting the documentary film BRASS, GLASS, & STEEL: THE MAKING OF ARLEN ROTH’S SLIDE GUITAR SUMMIT. She was in the middle of a small tour with Sonny Landreth, and they were stopping in to record a few tunes with Arlen at Starr Ridge Studios in Brewster, NY. She was gracious, professional, and incredibly focused.
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